This review is written by Guest Blogger Leslie Heydon:
I had the privilege to witness an excerpt from “IHU” presented Tuesday at the Aki Studio as part of CPAMO’s 10th Anniversary. In the language of the Kamayura people of Brazil, IHU means everything which can be heard and includes the supernatural, the sound of spirits and the magical beings of the forest. “IHU” choreographed by Newton Moraes and mentored by Jean Sasportes (Pina Bausch Wuppertal Tanztheater) represents his personal journey of self-discovery, acceptance of all aspects of his spirit, and triumph over prejudice through the development of his spiritual self. After his partner passed away in 2008, Moraes wanted to leave everything and go back to Brazil. This challenging phase in his life was the inspiration for the creation of “IHU”, a tribute to Robert Shirley. The excerpt of “IHU” I saw was a solo dance performed by Newton Moraes with lighting design by Gabriel Cropley.
Moraes’ performance was physically high energy and paired with deeply rhythmic music it projected an urgency that held my rapt attention. During part of the piece, he donned a clear plastic face mask that referenced feminine ideals of beauty. By partially obscuring his face the mask conveyed a sense of disconnection and discomfort. It spoke to me of the brittle pretext of outer world coping contrasted with an internal struggle. While wearing the mask, Moraes interacted with audience members creating a sense of connection that was both comforting and gave me an unsettled feeling of apprehension. This juxtaposition of contrasting emotions elicited through the mask and Moraes’ visceral movement style was compelling and I feel represents the crazy ride of grief in which so many contrasting emotions come in waves. Moraes’ performance was powerful yet vulnerable and thus poignant.
I look forward to seeing one of Moraes’ full length works.
Leslie Heydon has a bachelor’s degree from U of T (Major in Psychology, Specialty in Fine Arts). Leslie trained as an Expressive Arts Therapist at the CREATE Institute and worked in addictions for over 10 years in specialized programs for women and black youth, providing individual therapy and facilitating groups. Her passion is to explore and guide others to explore the internal wilderness of the soul.
Irma Villafuerte in “No Woman’s Land” photo by Wayne Eardley
The spotlight over the past years has turned towards the under-representation of female choreographers in the established dance companies. In the press and social media, I have seen a repeat of the same sort of questions and thought processes in regards to this issue that goes something like this “… where are all the female choreographers?” or “why aren’t there more female choreographers” or “If only there were more female choreographers then we could hire them”. While it is great to see the press and dance community having these discussions, I would like to counter by saying we are not that hard to find. We are mostly finding our way, on our own terms by starting our own companies and self-producing. They should concentrate on finding us, seeing our shows and writing reviews. This would shine a spotlight on our work that can help even out the gender inequalities we face. Roshanak Jaberi is an Iranian-Canadian female choreographer whom I had no trouble finding. I would like to shine some stage-light on this talented and brave creator.
I just came home from Jabari’s production “No Woman’s Land”, created for her company Jaberi Dance Theatre and presented by DanceWorks at the Harbourfront Centre Theatre in Toronto. Jaberi Dance Theatre is a multi-disciplinary performing arts company that explores socially relevant content and highlights the lived experience of racialized women. “No Woman’s Land” tells stories of refugee women fleeing their homelands due to acute starvation, poverty, natural disasters, armed conflict and war. Roshanak engaged in an intense research phase with the support of IRIS (Institute for Research and Development on Inclusion and Society) and scholar Dr. Shahrzad Mojab. The work that arose out of the stories and information collected is a weaving of dance, visual images, text and sound. Pre-show, the stage is set with something that looks like the frame of a tent. Light shines through the frame casting shadows that look like bars of some virtual prison. Or perhaps they are a net that will hold the audience together while we witness the stories that are about to unfold. One of the beautiful aspects of Jaberi’s work is that the images portrayed hold multiple meanings and tones, creating a richly layered tapestry.
The work starts at high velocity with the frame turning over to become a boat. Images of a storm are projected over all surfaces of the stage. We witness refugees fighting for their lives in stormy waters. The choreography is direct in its movements, but the nuances are complex and cut deep into the heart. The cast (Irma Villafuerte, Nickeshia Garrick, Victoria Mata, Denise Solleza, Drew Berry, Ahmed Moneka) are fully committed. One can sense they know the importance of the job they have in bringing these stories to the stage.
Victoria Mata, Irma Villafuerte & Drew Berry in “No Woman’s Land” photo by Wayne Eardley
The program includes a fold-out pamphlet that educates the public about the world-wide refugee crisis. We learn that 68.5 million people have been forced from their homes and that one person is forcibly displaced every two seconds. We learn that approximately one in five women in refugee camps are sexually-assaulted. This statistic is brought to life on stage through Irma Villafuerte’s solo that depicts unwanted hands reaching for her body through “bars”, and through a voice-over of a young girl’s story of a brutal rape. The pamphlet also describes how refugee women become shrewd survivors through their lived experience, finding strategies, cunning and independence. In a fierce solo by Nickeshia Garrick, sharp movements cut through the air with grace and speed. Every cell of her body exemplifies pride and beauty that dismantles the stereotype of the helpless, passive victim.
Victoria Mata in “No Woman’s Land” photo by Wayne Eardley
In another scene, dancers frantically fight for limited buckets. The rattling sound of hollow metal clanging reverberates on stage, a music score that gives the audience a felt sense of the panic of thirst. The buckets then become stepping stones across minefields or seats at a social gathering that gives relief from the worries of being displaced. Text and projected images deliver story and setting, but dance is the element that delivers the emotional world hidden behind the words and statistics. This embodiment is what brings the stories home to those witnessing. Throughout the work a repeated poem delivers the message that people flee their home when fleeing is safer than staying. This made me think of what it would take to make me grab my kids and flee. A vital aspect of “No Woman’s Land” is that it invites the viewer into an immersive art experience that encourages the viewer to imagine what it would be like if those circumstances unfolding on stage happened to them. Jaberi’s states in her program notes that “No Woman’s Land” does not attempt to present solutions to systemic systems of oppression that lead and influence the refugee crisis. Rather, she hopes the work will start discourse amongst those in a position of influence.
Roshanak Jaberi is a brave and articulate choreographer with a strong vision. I look forward to seeing more of her work in the future.
If you are left scratching your head at why socks are such a big issue for some kids then you have never experienced a child in a full-on sock meltdown. When a child with sensory issues experience discomfort with how their socks feel…. how they bunch up, or have seams, or do not stay up or aren’t the right color, the feeling can intolerable. For them, it can feel like real physical pain and they do what any person would do who is in severe pain…. they kick, scream, thrash, cry and yell.
For my nine-year-old son Wyatt, who has high functioning Autism, comfortable socks are super important for him. The other day I noticed that his favorite McGregor Happy feet socks were all developing holes! I tried to order more only to find McGregor had discontinued their kid’s line. I panicked, with visions of meltdowns. Then I rallied and after a week of careful research, I bought the four socks in this review.
Wyatt agreed to help out other kids and parents by helping me create a sock review and out of hardship the Best Kids, Socks for Sensory Feet Review was born!
Price: $13 US for one pair of socks
Fabric make-up: 74% Nylon 21% Merino Wool 5% Lycra/Spandex
Fabric thickness: medium
Texture: A bit rough on the outside but softer on the inside. After several washes, they soften up some. As with most patterned socks, there are some threads on the inside but Wyatt didn’t mind this. Also, the sock has such a firm feel on the foot that these threads do not bother my son because the sock does not move around. Also, they have some socks with less patterning (so fewer thread bits) so if it is a problem just get those ones.
How seamless are they? They are virtually seamless socks. The seam feels like a change in texture rather than a ridge. If you turn them inside out there is a thread coming from the end of the seam on both sides but that can be trimmed if needed. I think it all works for Waytt because once he gets the perfect sock placement the socks stay put. So things like changes in texture or threads that bother him on other socks do not bother him with these socks.
Stay up and bunchiness: These socks are the best on the list for staying up and staying put! No slipping, no bunching, and no blisters.
Rain boot test: These socks past the rain boot test with flying colors!
Durability: Darn-tough has a lifetime guarantee. A friend of mine had a pair that got holes after fives years. He returned them and they sent him new ones. So their lifetime guarantee and return policy is for real. So these socks are definitely the most sturdy on the list. The durability of these socks prevents I believe will help avoid meltdowns for Waytt. Change can be hard for kids on the Autism spectrum. Once they get used to a certain feel and look of a sock having to get new socks even if they are the same brand can be very upsetting. With this sock, they will have the same feel, and pattern until they grow out of them and need the next size up. For me, this is the best part of this sock.
Size: Fit as expected. Please note darn Tough has juniors sizes (9-kids to 6-youth US sizes) but does not have sizes for very small kids.
Color and style: Great fun patterns. Darn Tough does sell sock with less fancy patterns than the ones we bought and these have fewer threads on the inside.
Odor: Naturally Antimicrobial Mareno wool repels bacteria and odor
Sock Melt Down Prevention Meter: 10/10 in our house (but some kids might not like the threads on the inside and the subtle seam might not be subtle enough)
Summary: The most expensive sock of this review initially does not seem like the favorite because it was not as soft or seem-free and not completely seam-free. Although after much wear holds up better under scrutiny on many counts. In the end, these fun patterned socks that last forever, stay-put even after a good run and have tolerable seams are Wyatt’s favorite in the Best Socks for Sensory Feet Review.
Price: $10.99 US for three-pack ($3.66 US per pair of socks)
Fabric make-up: 76% Cotton, 22% Nylon, and 2% Spandex.
Fabric thickness: thin
How seamless are they? There is still a small seam. There are little bumps on each seam-end. If you turn them inside out there is a thread coming from the end of the seam on both sides which has been reported to bother some kids but can be trimmed if needed.
Stay up and bunchiness: The ribbing at the ankle is somewhat slouchy and they tend to slip down. They move around some which put them at risk for bunching up.
Rain boot test: These socks moved around in rain boots and slip off
Durability: They are reported to last over a year of regular wearing.
Size: Fit as expected
Color and style: Only dark of white socks to pick from in Jefferies’ seamless variety.
Odor: Not especially made for odor prevention although they are 75% cotton so should do okay on the smell front.
Sock Melt Down Prevention Meter: 8/10
Summary: The most economical sock of this review holds up reasonably well under scrutiny on many counts. Some parents say there were too many bumps and seems for their kids and others say these socks work well for sensitive feet. Not the right socks for those that want their socks to stay up in rain-boots.
Price: $16.60 US for three-pack ($5.53 US for one pair of socks)
Fabric make-up: 75% bamboo, 22% polyamide, and 3% spandex.
Fabric thickness: Medium thickness
Overall comfort: Super Soft
How seamless are they? There is still a seam in these but it is hand stitched so you really can’t feel it. There are little bumps on each end side of the seams, but pretty much seamless across the toe area. If you turn them inside out there is a thread coming from the end of the seam on both sides which can be trimmed.
Stay up and bunchiness: They stay up fairly well and do not bunch up too much.
Rain boot test: They moved around a bit but generally stayed up.
Durability: Because they are so soft they tend to pill. The white ones seem to pill more than darker colors for some reason. One sock got a hole after going through its first wash. But this might be an anomaly as the others are faring well.
Size: Fit as expected
Color and style: A few different colors and patterns.
Odor: These socks work wonders as a fix for smelly sweaty feet.” An Amazon reviewer says “It’s amazing how well they work at eliminating stinky feet!”
Sock Melt Down Prevention Meter: 8/10
Summary: These socks are super soft and almost seamless and they were initially Wyatt’s number one choice in the Best Socks for Sensory Feet Review. The properties of Bamboo tends to reduce sweating and odder and so they are also the number one pick for sweaty/smelly feet. However due to to the fact that they pill and may develop wholes quick than other socks on the list they are not mom’s number one pick. The per sock price makes them one of the more economical socks on the list but if they do not last as long as the other socks on the list this their economical price may not pay out over time.
Price: $27.95 US for three-pack ($9.31 US for one pair of socks)
Fabric make-up: 75% cotton, 23% nylon & 2% lycra
Fabric thickness: Thick
Overall comfort: Soft. Except for the top rim/edge of the sock which is scratchy. The way the socks are designed the top rim curls on itself covering up this scratchy bit. They are a tube sock with no defined heel. If you turn them inside out they are the only sock in this review that does not have a thread coming from the end of the seams.
How seamless are they? These truly are seamless socks! There is a tiny bit of gathered fabric were the end-sides of the seem would usually be. There is a slight difference in the knit where the seam usually would be. Several Amazon reviewers said the little bumps on the side still made socks unwearable for their kids. And other reviewers said the sock where the only socks their kids could wear.
Stay up and bunchiness: Does not stay up under rigorous testing. An Amazon review says “they were too big to stay pulled up the way she likes them”. Because they move around and are thick, uncomfortable socks-bunches can occur (how much this happens will depend on the type of show one wears)
Rain boot test: These socks moved around in rain boots a lot. The weave feels loose and more stretchy than the other socks and there is very little elastic at the top to keep the sock up.
Durability: They are thick socks that keep up reasonably well over time
Size: I used their size chart but the socks I ordered seemed a bit big for my son. If I was going to order again I would order a size smaller and I think then they might stay up better and might do better in the rainboot test.
Color and style: Only a few colors to pick from and no fancy patterns.
Odor: high-tech fibers wick away moisture ensuring a drier sock & therefore preventing stinky feet.
Melt Down Prevention Meeter: 7/10
A pricey sock which is truly seamless but seems to come with other issues. They have a top rim that is scratchy and they do not stay up in the rainboot test. Also, they seem to fit big. Wyatt in his Best Socks for Sensory Feet Review said that all the socks in this review are wearable but these were his least favorite. Please know, that even though Waytt did not like them many parents swear by these socks as being a lifesaver. It really depends on your kids and what their sock needs are.
Every kid with sensory issues is different. Figure out what is most important in a sock for your kid and then make your best pick:
|Sock priorities||o||Darn Tough Hiss Micro Crew Light Sock||o||Jefferies Socks Big Boys Seamless Casual Crew||o||Rambutan Kids Comfort Seam Bamboo||o||SmartKnitKIDS Seamless Sensitivity Socks|
|Fabric mix||74% Nylon 21% Merino Wool 5% Lycra||76% Cotton, 22% Nylon, & 2% Spandex||75% bamboo, 22% polyamide, & 3% spandex||75% cotton, 23% nylon & 2% lycra|
|Compression||Offers some compression||No||No||No|
and does it bunch?
|Snug. No slipping, no bunching, and no blister||Loose and bunches||Medium & only bunches a bit||Loose and can tend to bunch|
|Thick/Thin||Medium (Darn Tough also sells cushioned socks if your child likes thicker socks)||Thin||Medium||Thick|
|Texture||Not that Soft (but does soften up some with a few washes)||Soft||Very Soft||Soft|
|Warm||Yes||Not that warm||Yes||Yes|
|Order prevention||Merino wool Naturally Anti-microbial||Not made for odor prevention||Bamboo mix great for odor prevention||High-tech fibers wick preventing stinky feet.|
|Stay up||Very well||Not so much||Yes||No so much|
|Rainboot test||Stay put||Came off in the boot||Stayed up but moved around||Slipped own|
|Fun Patterns||One choice in the seamless variety||Few different colors/ patterns||Only three colors|
|Durability||Last forever||Last about a year||Last about a year||Good durability|
|$s per pair||$9.31 US per||$5.53 US per||$3.66 US per||$13 US per|
|Cost per wear||Over time might be cheapest||Not sure||Not sure||Not sure|
|Sound||Sounds okay||Sounds okay||Sounds okay||Scratchy rim that folds over makes a funny sound|
|Fit||Fit as expected||Fit as expected||Fit slightly smaller than expected||Fit larger than expected|
|Heal||Defined heal||Defined heal||Defined heal||Tube sock|
|Easy to put on||Require some pulling as they have a snug fit.||Easy to put on||Easy to put on||Super easy & no need to face right way (no heel)|
|Other notes||Due to the pattern, there are some threads on the inside. The distinct pattern makes them super easy to match up when sorting laundry.||NA||One sock got hole first wash but this might be an anomaly||Truly seamless and only socks some kids can wear who are super sensitive about seams|
After you figure out, your child’s sock priorities then pick the socks that best deliver for your child needs. I recommend buying a trial pair. Once you find the sock that works for your kid then I think about buying a week’s worth if you are able… or maybe even two weeks worth!
Other socks Wyatt didn’t review that might work
On Friday we performed our final studio run-through before we move over to the theatre. Here is what our small audience that attended has said about Men’s Circle.
Laura Bisoc wrote:
I loved watching Kathleen Rea’s new dance theatre production, Men’s Circle. It tells several stories of emotional vulnerability and unfettered expression with a seamless integration of singing, dancing and spoken dialogue. The dancers are brilliant and combine virtuosity, playfulness and clarity of expression in their fresh and fast paced acts.
A dead patient (most likely killed by the ineptitude of his therapist!) haunts the entire production and is one of the most endearing and mischievous characters I have ever seen. In his defence, the therapist is a wonderful singer and I hope his signature song, Appendicitis, will make it to the top charts. Performed while the therapist is wrestling with his dead patient, Appendicitis is full of emotional ardour and physiological urgency.
The white canopy that represents “our brain waves” is almost a character in itself, and so is the violin case with wings.
Definitely a not to miss event!
Evadne Macedo wrote:
Men’s Circle by Kathleen Rea is brilliant, surprising and touchingly funny. As a work of theatre, the stories reveal the hurts that lie beneath the surface of smiles and the hidden fears that separate us from ourselves and others.
As a work of dance, we are treated to a showcase of male strength, beauty and vulnerability as the characters struggle to heal and to find authentic connection through movement. In watching these courageous men reveal themselves in their acting, dancing and live music, we are challenged to reach into and beyond ourselves to find belonging and understanding in our own lives despite the risks of pain and rejection.
With the spectre of death ever present, and represented on stage as a character who confronts and soothes each man, Men’s Circle reminds us that we each have the capacity to live with grace and humility, and that we are never alone in this incredible human journey.
MEN’S CIRCLE – dance theatre by Kathleen Rea
DRAMATURGE: Tristan R. Whiston
ORIGINAL SONGS: Ariel Llama
DATES: November 2 to 5, 2017.
LOCATION: Betty Oliphant Theatre, 404 Jarvis street, Toronto.
BOX OFFICE: http://menscircle.eventzilla.net/
FACEBOOK EVENT: https://www.facebook.com/events/150598895531063/
PRODUCED BY: REAson d’etre dance productions http://www.reasondetre.com/
FILM STILLS from footage by Drew Berry
My Five year old received a Fast Lane Action Wheels Fire Truck from Santa this Christmas and the whole family had fun making a live action video (…except for Grandma who was horrified that we started a fire in our back yard).
Live Action Video
See Wyatt’s new Fast Lane Action Wheels Fire Truck come to life and put out a real fire. See the crook who started the fire get caught in a dramatic chase scene.
Review of the Fast Lane Action Wheels Fire Truck:
The controls are easy to learn for a five year old. After a day of practice Wyatt was able to drive it around our kitchen island. The sound of the sirens and ladder is reasonably tolerable for the adults. It seems fairly sturdy thus far after three days of rough play. One surprise was that the remote is attached to the back of the truck by a cord that is about four feet long. This was unexpected and at first I wondered how this would work out. I quickly realised it was a non-issue because during play Wyatt is never more than two feet away from his truck. Wyatt was disappointed that the truck did not come with firefighter figures. This disappointment did not last long because he very quickly realised that his firefighter PLAYMOBIL(R) figures were the perfect size and fit in the bucket.
At $59.99 the toy is not cheap but also not as expensive as other RC fire trucks on the market that are a similar size and do similar things. It is not a scale model and would probably not be of interest to an adult RC hobbyist.
The one change I would make to the truck would be to make a larger water tank. The tank is so small that it only sprays continuously for about one minute before needing to be refilled. The good news is Wyatt can easily refill it himself. To make the film I jury rigged a plastic bag of water to the back of the truck so that he would have an abundant supply of water to put out the fire.
Please note if you use this toy to put out a real fire, adult supervision, a review of safety protocol and a bucket of water is required. Even with these precautions there is an inherent risk in lighting any fire.
Please also note that the PLAYMOBIL(R) figures and LEGO(R) police car seen in the video do not come with the Fast Lane Action Wheels Fire Truck.